Презентация по страноведению «Charlie Parker»
Charles Parker Jr. (August 29, 1920 – March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer.Parker was a highly influential jazz soloist and a leading figure in the development of bebop,a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Charles Parker Jr. (August 29, 1920 – March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer.Parker was a highly influential jazz soloist and a leading figure in the development of bebop,a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies.
Early years Charles Parker Jr. was born in Kansas City, Kansas at 852 Freeman Avenue, and raised in Kansas City, Missouri near Westport and later – in high school – near 15th and Olive Street. He was the only child of Charles Parker and Adelaide "Addie" Bailey, who was of mixed Choctaw and African American background. He attended Lincoln High School in September 1934, but withdrew in December 1935, just before joining the local musicians' union and to pursue his musical career full-time. His childhood sweetheart and future wife, Rebecca Ruffin, graduated from Lincoln High School in June 1935. Parker began playing the saxophone at age 11, and at age 14 he joined his high school band where he studied under Bandmaster Alonzo Lewis. His mother purchased a new alto saxophone around the same time.
Career In the mid-1930s, Parker began to practice diligently. During this period he mastered improvisation and developed some of the ideas that led to the later development of Bebop. In an interview with Paul Desmond, Parker said that he spent three to four years practicing up to 15 hours a day. Bands led by Count Basie and Bennie Moten certainly influenced Parker. He played with local bands in jazz clubs around Kansas City, Missouri, where he perfected his technique, with the assistance of Buster Smith, whose dynamic transitions to double and triple time influenced Parker's developing style. In late spring 1936, Parker played at a jam session at the Reno Club in Kansas City. His attempt to improvise failed when he lost track of the chord changes. This prompted Jo Jones, the drummer for Count Basie's Orchestra, to contemptuously throw a cymbal at his feet as a signal to leave the stage.
Bebop According to an interview Parker gave in the 1950s, one night in 1939 he was playing "Cherokee" in a jam session with guitarist William "Biddy" Fleet when he hit upon a method for developing his solos that enabled one of his main musical innovations. He realized that the 12 semitones of the chromatic scale can lead melodically to any key, breaking some of the confines of simpler jazz soloing. There are three basic bebop scales used by Charlie Parker. The Mixolydian (dominant seventh) bebop scale can be used primarily against dominant seventh chords. The Dorian bebop scale is used primarily against minor seventh chords. The Major bebop scale is used primarily against major sixth and major seventh chords. Each of these bebop scales is a nine-note scale rather than the typical eight-note scale. Charlie Parker was a primary influence on the approaches of guitarist Grant Green.
Discography The immortal Charlie Parker Bird: Master takes Encores Bird at the Roost The “Bird” returns
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